May 21, 2005 - February 11, 2006
To collect up to a final limit is not simply to own or to control the items one finds; it is to exercise control over existence itself through possessing every sample, every specimen, every instance of an unrepeatable and nowhere duplicated series.
—Roger Cardinal and John Elsner, The Cultures of Collecting
col·lec·ta·ne·a 1.) Passages, remarks, etc., collected from various sources; (as collect. sing.) a collection of passages, a miscellany. 2.) A selection of passages from one or more authors; an anthology.
This exhibition illuminates the broader social history of the Hood by exploring the diverse "authors" of its collection history and will look at how the museum's collection has been developed and (re)defined over time. Uniting traditional with contemporary and Western with non-Western art via pottery, sculpture, utilitarian objects, textiles, photographs, and prints, col·lec·ta·ne·a explores different collecting practices and ideologies that reflect the museum's unique identity as a hunter and gatherer of material culture. Topics addressed in the exhibition include the role of private collectors in developing museum collections; the continuation of older cultural traditions in newer forms; the relation between museum collections and teaching at Dartmouth; changing perspectives of "art" versus "artifact"; the value of "hybridized" art versus "authentic" art; and the continued development of the Hood's collections in new and interesting ways.
This exhibition was organized by the Hood Museum of Art, Dartmouth College, and supported in part by a grant from the Henry Luce Foundation, Inc. Its presentation at the Hood Museum of Art is generously supported by the Bernard R. Siskind 1955 Fund and the Hansen Family Fund.
To read the full press release, click here.
Last Updated: 1/7/09