Landscape

North American landscapes at Dartmouth are strong in mid- to late-nineteenth-century views of New England (particularly the White Mountains), as well as a range of later works by such figures as George Inness, William Merritt Chase, Maria Oakey Dewing, Willard Metcalf, Abbott Thayer, and Maxfield Parrish.

Some highlights with entries from the Hood collection catalogue American Art at Dartmouth:

Norton Bush, Lake Nicaragua, 1871

Maria Oakey Dewing, Iris at Dawn (Iris), 1899

Thomas Doughty, Rowing on a Mountain Lake, about 1835

Francis Seth Frost, Moat Mountain, Intervale, New Hampshire, about 1872

Samuel Lancaster Gerry, Whiteface in the White Mountains, 1849

Regis Francois Gignoux, New Hampshire (White Mountain Landscape), about 1864

George Inness, In the Gloaming, 1893

John Frederick Kensett, Mount Washington, New Hampshire, about 1854

Rockwell Kent, A New England Landscape, 1903

Ernest Lawson, The Boat House, not dated

William Merritt, The Lone Fisherman, 1890s

Paul Sample, Beaver Meadow, 1939

William Louis Sonntag, Italian Lake with Classical Ruins, 1858

Abbott Handerson Thayer, Below Mount Monadock, about 1913

Worthington Whittredge, Near Greycourt, New York, about 1872-75